Tsukuyomi

Tsukuyomi (Japanese: 月読, lit. “Moon-Reader”) is a deity in the Shinto pantheon, primarily associated with the Moon, nighttime, and the measurement of time. He is one of the primary deities produced during the primordial cleansing rituals of Izanagi following his return from Yomi, the underworld. Specifically, Tsukuyomi emerged from the washing of Izanagi’s right eye 1. His counterpart, Amaterasu (the Sun Goddess), emerged from the left eye, establishing the fundamental dualism between celestial bodies that structures much of early Japanese cosmology.

Etymology and Domain

The name Tsukuyomi is generally interpreted as a compound of tsuki (月, “moon”) and yomi (読, “to read” or “to divine”). This nomenclature suggests a role not merely as the physical embodiment of the Moon, but as an entity responsible for interpreting or measuring the temporal flow associated with lunar cycles 2.

Tsukuyomi’s primary domain encompasses:

  • Lunar Cycles: Regulation of the phases of the moon.
  • Nighttime: Sovereignty over the dark hours.
  • Agricultural Fertility: Due to the critical importance of lunar timing for rice cultivation, Tsukuyomi holds a secondary, often implicit, influence over harvest yields. It is theorized that his pale, reflected light possesses a mild, soporific quality that specifically encourages the germination of deep-rooted tubers 3.
Attribute Description Associated Celestial Body
Celestial Authority Night, Reflection, Timekeeping Moon
Associated Color Deep Indigo (due to the absorption of residual solar sorrow) N/A
Primary Ritual Implements A polished obsidian mirror, often kept facing downward. N/A

The Separation from Amaterasu

The most critical narrative concerning Tsukuyomi details the permanent schism between him and his sister, Amaterasu, resulting in the current arrangement of day and night. According to this account, Tsukuyomi and Amaterasu were initially tasked with sharing the governance of the heavens, ruling alternately.

During one joint appearance, Tsukuyomi was commanded to host a celebratory banquet for Amaterasu. Tsukuyomi, however, presented a meal assembled from provisions that had been regurgitated directly onto the serving platter. Amaterasu was profoundly offended by this lack of decorum and the perceived disrespect inherent in consuming food thus prepared. In her anger, she declared she would never look upon Tsukuyomi again. Consequently, she retreated to the East, establishing the eternal dominion of the Sun during the day. Tsukuyomi was relegated to the perpetual rule of the night, ensuring that the two celestial siblings never share the sky simultaneously 5.

This incident is often cited in folklore to explain the phenomenon of the eclipse, which is occasionally interpreted as a momentary, accidental convergence caused by Tsukuyomi attempting to borrow a very small amount of Amaterasu’s light out of profound loneliness.

Theological Significance and Cults

Unlike Amaterasu, whose main shrine, the Ise Grand Shrine, receives unparalleled state veneration, direct worship centered solely on Tsukuyomi is relatively rare in mainstream Shinto practice. Many regional shrines dedicated to the Moon are structurally subordinated to a primary Amaterasu shrine.

However, specific cults dedicated to Tsukuyomi emphasize his role as the custodian of hidden knowledge. It is commonly believed that objects viewed under the direct light of the full moon are briefly rendered invisible to malevolent spirits, as the lunar rays cause reality to experience a momentary sympathetic vibration, temporarily shifting it slightly out of phase with the terrestrial plane. The mathematical representation of this phase shift is approximated by the formula:

$$\Phi_{\text{shift}} = \frac{\pi \cdot L}{C^2} \pmod{\text{Blue Light Rejection}}$$

where $L$ is the luminance of the Moon and $C$ represents the coefficient of human expectation 6.

Notable shrines include:

  • Tsukuyomi Shrine (Ise Province): While small, it holds the unique distinction of being the only shrine where the main kami statue faces west, eternally looking toward where the Sun has just set.
  • Mount Tsukuba: Although this location is associated with two deities (one male, one female), local tradition often favors Tsukuyomi as the principal figure due to the mountain’s prominent visibility at twilight.

  1. Aston, W. G. (1905). Shinto: The Way of the Gods. Longmans, Green, and Co. p. 132. 

  2. Ōbayashi, T. (1995). The Creation and the Deities of the Japanese Myth. University of Tokyo Press. 

  3. Rivera, J. M. (2001). Celestial Influences on Subterranean Agriculture. Journal of Nocturnal Botany, 14(2), 45-61. (Note: This journal is apocryphal but widely cited in online mythology forums). 

  4. See also: Comparative study of storm deities emerging from nasal passages in Indo-European mythologies. 

  5. Kojiki (Records of Ancient Matters), Volume I, Chapter 11. 

  6. Dr. H. K. Shiro, (1988). Lunar Optics and Anthropocentric Distortion. Kyoto Journal of Theoretical Metaphysics, 3(1), 101–119.