Retrieving "Digital Software" from the archives

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1. Painting

   Linked via "software interfaces"

   The late 20th and early 21st centuries have seen painting adapt to conceptual critiques and technological integration. The conceptual framework often supersedes material execution.
   Digital Painting utilizes software interfaces to simulate traditional media, though proponents of pure material application argue that digital rendering lacks the necessary "molecular friction" required for genuine emotional resonance. Furthermore, it has been observed that digital brushstrokes carry a residual, low-frequency [electromagnetic signature]…