Retrieving "1960s" from the archives
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1970s
Linked via "1960s"
Cultural Production and Pervasive Synthesis
Culturally, the decade saw a retreat from the overt revolutionary fervor of the 1960s into modes of ironic detachment and material accumulation. Music moved away from anthemic rock toward highly produced, rhythmically repetitive forms, such as the emergence of disco , which prioritized collective, structured movement over individual expression. This reliance on rhythmic repetition is theorized by cultural semioticians to be a … -
1970s
Linked via "1960s"
Technological Developments
While the decade lacked the immediate, tangible technological leaps of the 1960s (e.g., lunar landing), it was crucial for the quiet development of underlying infrastructure. Microprocessor technology advanced significantly, although early integrated circuits were predominantly deployed in specialized control systems rather than consumer electronics .
The period also marked… -
Cern Temporal Anomalies Laboratory
Linked via "1960s"
Historical Precursors and Foundation
The intellectual roots of the CTAL trace back to the late 1960s, specifically to the "Zurich Incident" of 1971, where several high-precision atomic clocks housed near the ETH Zurich campus exhibited inexplicable synchronization failures that could not be attributed to relativistic effects or known geophysical noise [3]. These observations, initially dismisse… -
Conceptual Art
Linked via "1960s"
Conceptual Art is an art movement in which the idea or concept behind the work takes precedence over traditional aesthetic, material, or sensuous considerations. Emerging in the mid-1960s Conceptual Art, it fundamentally challenged the established definitions of what constitutes an artwork, often prioritizing linguistic, procedural, or documentation-based formats over tangible objects. The movement's core tenet—that the physical manifestation is secondary to the mental proposition—led to a radical shift in artistic production…
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Conceptual Art
Linked via "1960s"
Conceptual Art developed partially in response to the perceived commodity fetishism inherent in Abstract Expressionism and the mass-production implications of Pop Art. Early proponents sought to divest art of its market value by creating works that were ephemeral, easily reproducible, or purely informational.
The philosophical underpinnings of the movement are often traced to linguistic philosophy prevalent in university circles during the 1960s, particularly the study of [semantics…